supported by 40 fans who also own “Yet to come - It might be”
Soothfully a phenomenal prog rock album—an instant classic. What motivates me to say so, is the music’s incredible expressiveness & its wonderfully cinematic song structures. Jargon is a very good fit with this band. It is quite evident that the band’s current lineup have great chemistry together & that they share a common affinity to this vein of music. I look forward to their next creation. Drifting Sun are definitely one of prog rock’s brightest lights. Thank you, DS!
9+/10. Alrihkh
supported by 35 fans who also own “Yet to come - It might be”
This might be the least folky of the Wobbler releases and I wasn't sure about it at all.
After a few listens however I'm loving the inventiveness and the endless melodies, all driven along by Kristian Hultgren's wonderful percussive bass. PartTimeZombie
supported by 30 fans who also own “Yet to come - It might be”
Ukrainian musician/composer/producer Antony Kalugin is amazingly prolific. Amongs all his other projects this was already the 13th Karfagen album (released in early 2022). Of course, a new one is ready to see the light of day in early 2023 ;-)
This album is (as all his stuff) clearly 70s oriented, "golden-era prog", extremely rich in melodies and arrangement ideas. Some jazzy, folky, classical influences included and very well sounding, too :-)
Almost disappeared in the deep wishlist 8-o
Carsten Pieper
Norwegian power pop outfit founded by members of black n' roll heavyweights Kvelertak strike a perfect balance between catchy and caustic. Bandcamp New & Notable Mar 9, 2022
Tim Arnold's latest album of lushly detailed art-pop explores the insidious ways tech surveillance has become a part of our lives. Bandcamp New & Notable May 9, 2023
supported by 30 fans who also own “Yet to come - It might be”
The album takes off nicely with David Longdon's "The Strangest Times", but then gets into immediate free fall and deeply underwater for the next few tracks, quite unexpectedly. Fortunately, it recovers with Nick D'Virgilio's "Apollo" (hey, this guy CAN write good music, although he hides this ability most of the time) and the remaining three tracks, one of which is another Longdon masterpiece. So in the end the final impression is somewhat in the positive range. Sven B. Schreiber (sbs)